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    • Count Ory
    • Sing with Us
      • Auditions
      • Join the Chorus
    • About Us
      • Aylesbury Opera
      • Creative Team
    • Past Productions
      • Carmelites 2025
      • La Boheme 2024
      • Rake's Progress 2023
      • Jenufa 2022
      • Cav & Pag 2020
      • Samson et Dalila 2019
      • Turn of the Screw 2018
      • Norma 2018
      • Otello 2017
      • Noye's Fludde 2016
      • Der Freischutz 2016
      • Albert Herring 2015
      • Macbeth 2014
      • Faust 2013
      • A Masked Ball 2012
    • Contact
  • Home
  • Count Ory
  • Sing with Us
    • Auditions
    • Join the Chorus
  • About Us
    • Aylesbury Opera
    • Creative Team
  • Past Productions
    • Carmelites 2025
    • La Boheme 2024
    • Rake's Progress 2023
    • Jenufa 2022
    • Cav & Pag 2020
    • Samson et Dalila 2019
    • Turn of the Screw 2018
    • Norma 2018
    • Otello 2017
    • Noye's Fludde 2016
    • Der Freischutz 2016
    • Albert Herring 2015
    • Macbeth 2014
    • Faust 2013
    • A Masked Ball 2012
  • Contact

The Count Ory by Rossini

Holy Trinity Church, Bledlow, HP27 9PD, Saturday 10th October 7.30pm

Aylesbury Opera presents a semi-staged performance of Rossini's sparkling comedy, his penultimate opera.


In medieval France, the womanising Count Ory is entranced by the beauty of Countess Adèle. But there's a huge obstacle in Ory's way: with Adèle's brother and the other menfolk away fighting a Crusade, Adèle and the ladies of her castle are adamantly resisting all male attention! In pursuing Adèle, Ory also has to fend with his own page, Isolier, who's totally infatuated with her. Ory disguises himself as a wise hermit so he can pretend to comfort the forlorn Adèle, but his true identity is soon revealed. He then manages to get himself and his cohorts into the castle, disguised as nuns. For Rossini's audience, the result of that trick is nonstop antics, culminating in a final trio both intoxicatingly beautiful and hilarious. 


Sung in English, with orchestra. Conducted by Sam Laughton.

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